Kristine Leschper is an interdisciplinary artist working in sound, text, image, and performance. Her work positions itself around the spectacle of the human condition, deeply interested in questions of meaning-making, womanhood, socio-ecological systems, and the wielding of power. Her personal philosophies around music-making approach the sonic landscape as an object with shape, dimension and weight. She has presented over 250 live performances across the US, UK, and Europe.
Leschper’s The Opening, Or Closing Of A Door, due March 4 via ANTI/Epitaph, is a paean to the sensory world. It’s the first Leschper has released under her given name, having retired the moniker Mothers after eight years of performing and releasing music under it. Though both projects are guided by Leschper’s idiosyncratic approach to songwriting, they couldn’t sound more different. While Mothers drew inspiration from the stark, skeletal sounds of post-punk and contemporary folk, Leschper’s new work is practically baroque, integrating an array of synthesizers, strings, woodwinds, and over a dozen percussive instruments.
KILBY VENUE RULES
* No weapons of any kind.
* No outside food or beverages.
* No alcohol. Kilby Court is a dry, all ages venue.
* No drugs or illicit substances.
* No smoking inside the venue.
* No unauthorized/unlicensed vending, soliciting, handbills, sampling, or giveaways.
* No flash photography.
* No moshing, crowd-surfing, or stage diving.
* No pets allowed. Service animals must have identification.
* No backpacks or large bags. Small purses and fanny packs allowed but subject to search.
* Security reserves the right to search bags, perform pat-down checks, and refuse/revoke entry at their discretion. These reasons include intoxication, disturbing hygiene, engaging in hate speech, belligerent or noncompliant behavior, acts or threats of violence, disturbing other guests, etc.