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Black Joe Lewis is the realest motherfucker there is. When Covid sidelined his touring this
past year, he started laying concrete to help support his baby mama and his kid. That’s
fuckin’ real. When Joe and his band, the Honeybears, popped onto the national stage over a
decade ago, many critics embraced him but still, there were some that maintained that they
hadn’t paid their dues. Joe’s still here. Still going. Still cashing checks and snapping necks.
The dues of hard work; the delirious heights of the industry as well as the disappointments
and low hanging fruit. Through this all, Joe’s only honed his mastery over gut bucket blues
guitar and his true voice. It’s a vital and distinctly American voice that never anticipated the
attention he wound up receiving, never went looking for it either. It just started happening.
The garage, the blues, the propulsive and synergistic live performances that inhabit the
spaces of James Brown, Lightnin’ Hopkins, and the MC5…those things happened naturally
from the very beginning and could only be accurately communicated in the live experience,
not a press release or a slick brand campaign. Sharon Jones, Charles Bradley, Cedric Burnside
and Lightnin Malcolm, The Dirtbombs, Detroit Cobras, the Strange Boys; these are some of
the artists that Black Joe Lewis and the Honeybears shared countless bills with; almost a roll
call of the most influential soul and garage bands of the last twenty five years. Has the soul
blues garage explosion from that era been commodified or worked into the overall template
of pop rock? Sure. But the ground floor was a vital space for people that like guitars and
grease and at this point Black Joe Lewis is one of the last standing that was there. Last of a
dying breed. Or maybe a missing link. Does this make him a throwback? A throwback to a
throwback? It’d be tempting and easy for Joe to go along with that but nah, we don’t think
so. We know that Joe Lewis is genuinely doing his thing and that he’d do it regardless of
what’s coming down the pipe. A stone cold original and a veteran at that. If you like
whistling in your music and some floppy hat, quaky kneed dudes cloyingly singing at you,
then you might not “get it” but whatever…there are enough intrepid, degenerate weirdos
that do. Those are the folks Joe cares about. Not the glad handing set. Not the fair-weather
friend set getting down with the flavor of the month. Like the title of his last album says,
“the difference between me and you” is Joe defining for himself that there’s the belabored
wannabes and then there’s dudes that actually “HAVE the blues”...whatever the hell THAT
is! Joe’s concrete pouring boss is gonna miss him.