S&S Presents

Emily Wells

Saturday,
June 18, 2022
7:00PM MDT
Kilby Court
741 South Kilby Court (330 West)
Salt Lake City, UT 84101

General Admission Advance

On sale through Jun 18 2022

Price: $15.00
Service Fee: $4.59

Proof of vaccine or negative covid test within 72 hours required for entry.

General Admission Day of Show

On sale starting Jun 18 2022

Price: $18.00
Service Fee: $5.19

Proof of vaccine or negative covid test within 72 hours required for entry.

All events at Kilby Court require proof of vaccination or any negative Covid-19 test within 72 hours of the event in order for entry. 

You need not bring your originals with you to the event. A photo or photo copy of your vaccination card or proof of negative test will be accepted as long as the name matches your ID. Proof of vaccination from the “docket” app will also be allowed. 

Mask are highly encouraged.

Note that some events may have have stricter protocols. If protocols are updated for this event, you will be notified by email. 

“Quietly transfixing” composer / producer Emily Wells is known for her varied use of classical and modern instrumentation, “a master of blending the worlds of classical and electronics” (NPR) and “dramatic, meticulous and gothic songs” (New York Times). On stage Wells’ builds a “new instrument” out of acoustic and electronic drums, synth, violin, and her evocative performances leave audiences equal parts dancing and grieving. Wells’ latest work, This World is Too _____ For You released in March has been hailed by NPR as “breathtaking” “mind-blowing” and “visionary”. The ten song album, arranged for chamber ensemble by composer Michi Wiancko, was commissioned by Saint Paul Chamber Orchestra’s Liquid Music Series and Metropolis Ensemble who performs on the album along with drummer / composer Shayna Dunkelman (Du Yun, Xiu Xiu).

“The new songs are the rub between desire for, and desire to strip oneself of all wanting” Wells says of the new material, which clamors around all the edges, and sometimes into the center of our collective uncertainties.

“I grew up with hymns and I often find myself drawn to a form that seeks redemption, even for transgressions unknown... they are an offering, an oath. As a queer kid raised in the south and the midwest by a music minister and a preacher's daughter I am interested in the reclamation of themes and ideas that have often been used to constrain me.” Of Wells’ video work, which accompanies her performances, she says, “the video and the songs are mirrors of one another: grace, the body, movement, and the natural world, beating against our windows, drunk with the answer.”