S&S Presents
Deeper
Worlds Worst, Boyfriend Sushi Town
Saturday, October 21 2023
8:00 PM MDT
241 South 500 East
Salt Lake City
UT,
84102
You canât get Deeper if youâre standing still. Thatâs intentional, says the Chicago quartetâs Nic Gohl. âDoes it feel good when youâre listening to this song? Does your body want to move with it?â These are the questions he asked himself as he and bandmates Shiraz Bhatti, Drew McBride, and Kevin Fairbairn were writing and recording Careful!, their third record and Sub Pop debut. âI wanted these to be interesting songs, but in a way where a two-year-old would vibe out to it,â Gohl adds. âItâs pop music, basically.â That âbasicallyâ qualifier is working pretty hard, as fans of 2020âs Auto-Pain might suppose. Auto-Pain was an album of thick brutalist architecture, full of straight lines and sharp angles, making hard shapes strong enough to carry a heavy thematic burden. On Careful!, theyâre reshaping the facades and splashing color, not reimagining their sound so much as testing its limits. There are synth experiments, there are moments of nauseatingly powerful darkwave and coldbeat. There are massive rockânâroll songs that you can imagine 10,000 people singing along to in some beautiful outdoor setting. There is a remarkably moving love song. Is there pop? Thereâs some pop, yes, a wiry bit of Cars-esque neon called âEverynight.â Look around the right corners, and you might see some of the old buildings peeking through, too, but in this contextâ
on a song like âSub,â say, a song that began life as a slow and dark prog jam but is now an elegantly cresting wave of post-punkâthey feel more sophisticated, lit up in the cold, bright glow of Television. Auto-Pain was released in March 2020, which means Deeper wasnât able to play their new album live for nearly a year and a half. âIt was hard living in the vacuum of depending on Spotify numbers to quantify what your music means to other people,â McBride says. Nature abhors a
vacuum, though, and the band rushed to fill not only their empty time but the suddenly empty idea of what, exactly, their identity was. âIsolated by ourselves, we were like, âWhat is Deeper?ââ Bhatti says. âWeâve always talked about how we didnât want to stay in one genre as a band,â Gohl says, and absent any audience expectations, they gave themselves the freedom to tinker. âOne vibe I thought about a lot was Bowieâs most coked-out productions,â Gohl says. If you want
to, you can hear echoes of Low in the snapping rhythm and gray-sky synths of âTele,â but you can also hear a bit of Auto-Pain in the nailed-in, stippling lines being spit out by Bhattiâs drum programming and McBrideâs bass. âFameâ seems to stumble together and nearly fall apart, the dialed-up noise making the beat feel maniacal and a little invincible, the whole thing a series of short, snipped, autonomous gestures that are by now Deeperâs trademark. âBuild a Bridgeâ pushes in the opposite direction, using a prickly guitar line to launch into big,
smeary art-pop, its emotional palette clear, well-defined, and easy to latch onto. On âSub,â Gohl sings above and below the melody like Ian McCulloch, bellowing and wondering and ruminating and rounding into swaggering confidence that the band rises to meet. Itâs festival headliner music that still feels like it was written in a garage. The albumâs title, exclamation point, and all come from the song âAirplane Air,â and itâs echoed in the albumâs final song, âPressure,â a song Gohl wrote for his wife and longtime partner. âBe safe,â he sings, âI will need you around.â Itâs a song that sounds like nothing else in their catalogâringing harmonics, chiming chords, vocal harmoniesâbut the sense of interdependence is near the center of Deeperâs music, from the way Gohl and Fairbairnâs guitars jigsaw together and interlock with Bhattiâs drum patterns and McBrideâs bass to the lyrical vulnerability at the albumâs core. That sense of mutuality makes this restlessly curious, stylistically broad album feels like the most coherent portrait of who Deeper is. Or, as McBride ultimately frames it, âCareful! is about looking out for one another.â
URBAN LOUNGE VENUE RULES
* No weapons of any kind.
* No outside beverages.
* No drugs or illicit substances.
* No smoking inside the venue.
* No unauthorized/unlicensed vending, soliciting, handbills, sampling, or giveaways.
* All served beverages must remain inside the venue and back patio area.
* No flash photography.
* No moshing, crowd-surfing, or stage diving.
* No pets allowed.
* No backpacks or large bags. Small purses and fanny packs allowed but subject to search.
* Security reserves the right to search bags, perform pat-down checks, and refuse/revoke entry at their discretion. These reasons include intoxication, disturbing hygiene, engaging in hate speech, belligerent or noncompliant behavior, acts or threats of violence, disturbing other guests, etc.
- All valid tickets are sold via 24tix.com at the official ticketing link or 24tix Fan Marketplace. Any tickets resold through a third party platform such as StubHub, SeatGeek, Vivid Seats, and others are subject to being void without a refund.
- No weapons of any kind.
- No outside beverages.
- No drugs or illicit substances.
- No smoking inside the venue.
- No unauthorized/unlicensed vending, soliciting, handbills, sampling, or giveaways.
- All served beverages must remain inside the venue and back patio area.
- No flash photography. Non-professional, point & shoot cameras are allowed (attached lenses must be smaller than 2 inches) unless otherwise stated. Professional cameras must be approved by venue and artist management before the show.
- No moshing, crowd-surfing, or stage diving.
- No pets allowed.
- No backpacks or large bags. Small purses and fanny packs allowed but subject to search.
- Security reserves the right to search bags, perform pat-down checks, and refuse/revoke entry at their discretion. These reasons include intoxication, disturbing hygiene, engaging in hate speech, belligerent or noncompliant behavior, acts or threats of violence, disturbing other guests, etc.