From his early releases as Lusine onward, Jeff McIlwain’s electronic explorations make up one of themore diverse discographies of the past decade and a half.Effortlessly blurring the lines between techno, electro-pop and experimental composition, the Texas-raised/Seattle-based producer’s arrangements are meticulously constructed, but also filled with emotionand soul. Following 2017 full-length Sensorimotor, which explored the body’s instinct versus thebrain’s intent, the 2019 introverted 4-tracker, Retrace, found McIlwain just as kinetically-curious.Balancing focused programming with washy, less concrete sonics, Retrace plays with the unexpectedby drawing from slight variations on the same idea.As Lusine, McIlwain has performed throughout the US and abroad, including sets at London'sesteemed Fabric nightclub, Tokyo's Unit, Berlin's Watergate, and Melbourne's Electric Owl. Recenttour dates included appearances with electronic luminaries like The Field, Tipper and Blockhead, aswell as playing at various events with a live drummer (Trent Moorman).In addition to his Lusine productions, McIlwain has been involved with various film projects thatinclude David Gordon Green's The Sitter (Jonah Hill, 2011), Snow Angels (featuring Kate Beckinsaleand Sam Rockwell, 2007) and Joe (Nicolas Cage, Tye Sheridan, 2013) with music writing partnerDavid Wingo. McIlwain last collaborated with Wingo on the film score for Meredith Danluck's StateLike Sleep (2018).In addition to various remixes in 2019 and 2020, McIlwain has begun work on a new album

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