June 22, 2017
343 East 25th Street
Ogden, UT 84401
Upcoming events at Ogden Amphitheater
Attending multiple Ogden Twilight events? Consider buying season tickets!
The Shins are a multiple GRAMMY nominated American band formed by James Mercer in Albuquerque, NM in 1996. After a few years of self-financed singles, demos and van tours, the band was signed by Sub Pop Records who subsequently released its first three full length records.
Their debut full length, Oh, Inverted World caused a seismic shift in the indie rock world upon its release in 2001,singlehandedly ushering in the modern era of the genre. Moved by the strength of verifiably life changing songs like "New Slang", "Know Your Onion" and "Caring is Creepy," a generation of artists ditched the previous decade's lo-fi aesthetic in favor of Oh, Inverted World's emphasis on melody. Selling nearly a million copies and featuring heavily in the cult classic Garden State, the influence of Oh, Inverted World continues to be as profound as it is wide-reaching.
The Shins released their sophomore record, Chutes Too Narrow in 2003. The album garnered near-perfect reviews from The New York Times, MOJO, Rolling Stone, and Q, among numerous others solidifying The Shins' iconic standing.
The band's third LP 2007, the epic Wincing The Night Away, debuted at #2 on the Billboard Top 200 moving more than 100,000 copies in its first week of release, and saw their Saturday Night Live debut and a second GRAMMY nomination, once again reaffirming The Shins' stature as one of the most significant acts of the new millennium.
The fourth, and most recent Shins album, Port of Morrow, was released in 2012 on James Mercer's own Aural Apothecary label in partnership with Columbia Records. Preceded by "Simple Song," the highest charting Shins single to date, Port of Morrow debuted at #3 on the Billboard Top 200 and was met with rave reviews: Entertainment Weekly declared it "the band's best album in almost a decade" and Pitchfork described it as a "triumphant return."
James Mercer currently resides in Portland, OR and is busy working on the band's fifth album to be released via Aural Apothecary/Columbia Records. The record will be supported by a world tour on which Mercer will be joined by Yuuki Matthews (bass), Jon Sortland (drums), Mark Watrous (guitar, keys, vocals), Casey Foubert (guitar) and Patti King (keys).
Pure Bathing Culture
The roots of Pure Bathing Culture stretch back to 1999, when Versprille and Hindman befriended one another on the first day of freshman orientation at William Patterson University in Wayne, New Jersey. A decade later, they became bandmates when they both joined Vetiver for their Sub-Pop albums Tight Knit and The Errant Charm. It was while playing in Vetiver that Pure Bathing Culture emerged as its own entity.
"Dan was working on some instrumentals that he would make on a looping pedal," Sarah said. "One night he was out and I just listened to this loop and wrote some lyrics to it. He came home and I showed it to him. We laughed at first, as we didn't have some grand plan to start a band. It just happened naturally." That song "Lucky One," wound up in the hands of Richard Swift, who encouraged the duo to keep writing. "Richard pushed us along and became an inspiration," Dan said. Swift wound up producing the band's first EP and dreamy full-length, 2013's Moon Tides at his National Freedom studio.
From there, PBC evolved from simply being the product of Versprille and Hindman writing songs in their own home to hitting the road as a full touring band. "Sarah and I conceptualize music and then write so it's a pretty fragile state," Hindman said. "Playing live was a huge change for us."
When it came time to write and record their follow-up to Moon Tides, the duo knew what they didn't want. "We didn't gravitate towards someone making indie dream-pop records," Dan said. That was when producer John Congleton (St. Vincent, Swans, Angel Olsen, The Walkmen) reached out to the band and invited them to come record with him in his Dallas, TX studio.
"John pushed us to not make clichés, to not play into the style of other bands," Dan said. The challenges came right away as Congleton pressed the group into unfamiliar and at times uncomfortable territory in the studio. "He tricked me with the guitars on the album," Dan said. "We got the basic tracks down and he asked me to do scratch guitar and then John wouldn't let me go back and do the guitars again. He refused to do any layering."
As a result, everything on Pray for Rain is pretty much as Pure Bathing Culture actually sounds, all analog gear, with virtually no plug-ins or effects added afterwards, no hiding behind multiple layers. "There aren't a lot of tricks; What you hear is naturally what's there," Dan said.
It was a taxing yet ultimately rewarding experience when the album was completed. "It was shocking to hear what the finished product was," Sarah said. "It was like being in a vortex and then we came out with this record." She adds with a laugh something John Congleton told her when all was said and done: "You were very brave."
Sarah summarizes the Pray for Rain experience as one of "stepping into the realm of discovering who we are as a band and as songwriters," echoing a theme of the album itself, the process of change and transition. "You can find the best version of yourself in those hardest moments," she said. To which Dan adds: "You have to be backed up against the wall in order to really feel those feelings and respond to them." Pray for Rain is the sound of Pure Bathing Culture transforming from who they were to who they will be, of finding their way, ready to take steps both small and momentous on their musical path.
Doors & Food Vendors Open at 5:00pm
Bands begin at 6:00PM
All events are held rain or shine. Artists subject to change.
Tickets required for all attendees ages 4 and over.
Your Ogden Twilight ticket is also your RideUTA pass for the night. You can take FrontRunner, Trax, the 470, the 603, etc... You can be socially and environmentally friendly and it won't cost you a thing. We'll also have a bike valet set up at the amphitheater.