The latest full-length from Kishi Bashi, Kantos is a work of exquisite duality: a party album about the possible end of humanity as we know it, at turns deeply unsettling and sublimely joyful. In a sonic departure from the symphonic folk of his critically lauded 2019 LP Omoiyari—a career-defining body of work born from his intensive meditation on the mass incarceration of Japanese-Americans during World War II—the Seattle-born singer/songwriter/producer’s fifth studio album encompasses everything from Brazilian jazz and ’70s funk to orchestral rock and city pop (a Japanese genre that peaked in the mid-’80s). Informed by an equally kaleidoscopic mix of inspirations—the cult-classic sci-fi novel series Hyperion Cantos, the writings of 18th century enlightenment philosopher Immanuel Kant, a revelatory trip to ancient ruins on the island of Crete—Kantos ultimately serves as an unbridled exaltation of the human spirit and all its wild complexities.

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• No weapons of any kind.
• No outside beverages.
• No drugs or illicit substances.
• No smoking inside the venue.
• No unauthorized/unlicensed vending, soliciting, handbills, sampling, or giveaways.
• All served beverages must remain inside the venue and back patio area.
• No flash photography.
• No moshing, crowd-surfing, or stage diving.
• No pets allowed.
• No backpacks or large bags. Small purses and fanny packs allowed but subject to search.
• Security reserves the right to search bags, perform pat-down checks, and refuse/revoke entry at their discretion. These reasons include intoxication, disturbing hygiene, engaging in hate speech, belligerent or noncompliant behavior, acts or threats of violence, disturbing other guests, etc.